Long Beach Press Telegram Previews CWO Concert

The Long Beach Press Telegram published a feature article about Francis Johnson and Steve Charpie's attempt to promote his legacy. The article was timed to help promote Steve's concert with the Concordia Wind Orchestra on Feb. 17. Read the article

Steve Charpie

Our Feb. 17, 2008 (3:00) the Concordia Wind Orchestra will perform with trumpeter Steve Charpie. Steve is a expert on early American brass instruments. A great article and video about Steve was posted yesterday on the Long Beach Press Telegram website.

"Tuning" Out Distractions (lessons from sports science)

Fox Sports has a series that examines issues in sports science. There is plenty of crossover into music. Here's what I learned from a recent episode about free throw shooting:

• the brain decodes visual stimuli and aural stimuli in different areas. Decoding visual stimuli is more cognitive, which also means visual distractions can more readily be blocked out.
• Aural distractions, being harder to filter, will have a greater effect on us. The greatest of aural distractions is not just noise, but surprise, inconsistent noises.

What does this mean for musicians? Consider a solo instrumental performance. We make every effort to focus on, within the moment, our expressive music. But wrong notes happen (the trumpet "clam"). Science tells us that these shake us physiologically, breaking our focus, and putting future notes in jeopardy. There are two things we can do about this:

1. PRACTICE A LOT: You'll miss fewer notes in performance!
2. PUT YOURSELF IN PRESSURE SITUATIONS OFTEN: We may not be able to control the fact that audible distractions shake us, but we can control our reaction. Those that minimize the anger after mistakes are in the best condition to execute. Anger quickly raises the physiological stress indicators, and this makes playing an instrument more challenging, leading to more mistakes. A high-intensity, critical mentality may be useful in the practice room, but there is already too much heat on us while we are performing. A calm mind resists the mental "commentary" while we play. That is a good thing. How do we achieve the calm mind? We've got to perform as often as possible in many different pressure situations. Save your critiquing for after the performance and include a critique of how well you responded to your missed notes (the distractions). Did you dwell on it well after it happened? Did you allow your "blood to boil?"

Finally, the question begs to be asked - why do we put ourselves through this? In my opinion, playing an instrument in public is one of the toughest things to execute. The experience gained in the heat of the musical moment will definitely translate to other areas of life - public speaking, thinking quickly in a meeting, keeping poise when you are being judged (a job interview, date, etc.). Musical performances will stay with you all of your life. Make the most of them (prepare well & execute as calmly as you can), and you will always value and cherish the experience!


Sport Science: FT Distractions

Best trumpeters

I occasionally am asked who are some great trumpeters to listen to. There are many great ones out there, but the ones that I enjoy most are:

Wynton Marsalis
Terry Everson
Tim Morrison
Edward Tarr
Maurice Andre
Adolf "Bud" Herseth
Rolf Smedvig (Empire Brass)

Look these guys up and get to know their sound and phrase shaping - the best of the trumpet world!

Characteristic Tone on Trumpet

One of the 100-level requirements for instrumentalists at Concordia is to be able to play with a characteristic tone on their instrument. In short, this means that you can create a sound that resembles a model tone quality for your instrument. What is that model tone? Here are some of my favorite recordings demonstrating what I consider an ideal trumpet sound for the music being played:

performer: Wynton Marsalis
music: Trumpet Concerto in D (Michael Haydn)

performer: Wynton Marsalis (x3 - he is overdubbing to play all 3 parts of this recording!)
music: Canon in D (Pachelbel)

performer: Boston Pops Orchestra (Tim Morrison, principal trumpet)
music: "Summon the Heroes" (John Williams)

performer: Canadian Brass
music: Fanfare "Ablasson" (Reiche) and The Prince of Denmark's March

performers: Wynton Marsalis w/ Kathleen Battle
music: "Let the Bright Seraphim" (Handel)

performers: Boston Pops Orchestra (John Williams, conducting)
music: Bugler's Dream (Arnaud)